Dorothy Tanner at Work and Play

Photos of Dorothy Tanner (1923-2020) working in the studio at Lumonics.

“The major challenge for me in art is to keep under control the tyranny of a logical mind. The spirit that moves me is capricious, unruly and irreverent. Most of my work grows out of intuitive impulse–the rest gets underway by just playing.”

Dorothy Tanner and Jabberwocky

Dorothy Tanner and Messenger
Photo by Todd Powers

Dorothy Tanner and Skeeter

Dorothy Tanner and Habitat

Dorothy and Future Past

Sketch and Sculpt

Mel and Dorothy Tanner worked with the same material, acrylic glass, in very different ways. Dorothy liked to have a lot of material around and then begin her construction. Mel Tanner always sketched first, often filling the sketches in with colored pencils so that they were very precise. The drawing(s) very closely resembled the completed sculpture.

Here are some examples of Mel Tanner’s sketches compared to the photos of the completed works:

 

Sketch of Visitor by Mel Tanner

 

 

 

 

 

 



Visitor by Mel Tanner

 

 

 

 

 

 

 

 

 

Sketch of One Two Three by Mel Tanner

 

 

 



One Two Three by Mel Tanner

 

 

 

 

 

 

Sketch of Post-Egyptian by Mel Tanner

 

 

 

 

 

 

 

 

Post-Egyptian by Mel Tanner

 

 

 

 

 

 

 


Post-Eqyptian by Mel Tanner

 

Sketch of Island by Mel Tanner




Island by Mel Tanner

 

Mel Tanner sketches what will be a lighted wall for an installation

 



 

A lighted wall and ceiling installation by Mel Tanner

Four Years Ago Today: Denver Mayor’s Award

4 Years Ago Today:

While it hadn’t been officially announced yet, Dorothy Tanner was notified that she was the recipient of the Mayor’s Award for Excellence in Arts and Culture in the Innovation category for the City and County of Denver, 2018.  Denver Arts & Venues sent the Zerosun Creative team of James Joliat and his associate videographer Tyler, to interview Dorothy in preparation for a video for the award ceremony on Nov. 15 at the McNichols Civic Center Building.

Zerosun Creative team of James Joliat and his associate videographer Tyler preparing to interview Dorothy Tanner at Lumonics

                                                       

 

Lollipop has quite a history at Lumonics

One day in 1976, Bill Pinella, the sales rep for one of the companies we bought our acrylic glass (plexiglass) from, came by with two off- white geometric shapes. They were a different kind of plastic in the polycarbonate family. Bill said the company doesn’t know what to do with them, and thought that Dorothy and Mel Tanner could put them to good use. He used to enjoy coming over to look at the light sculptures, and once told me that he “wished he had Mel’s brain”. The vast majority of his other accounts used the company’s products industrially.

After Mel did some sketches, the result was Lollipop which was over 7′ tall, and lighted internally with incandescent bulbs. Mel created two arms that were lighted with showcase bulbs that were long and narrow. Lollipop was always a favorite of people who came to Lumonics.

After Lollipop’s transportation to Denver in a crate and through 14 years of storage, Lollipop had a crack in it and needed some other restoration . So earlier this year, we repaired it, added LED bulbs, and used a pulley to get it to our mezzanine. It is wonderful to have Lollipop in the performance space. My teammate Marc Billard has it set up on multiple lighting channels, and it is a joy to behold during the Lumonics Immersed performances.

Here are photos by Marc Billard of the original Lollipop and how it looks now:

 

Lollipop
90″T x 35″W x 22″D
1976

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Lollipop
updated in 2022

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

You can see Lollipop in a one minute video of Lumonics Immersed: